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Dan Laurence

February 5, 2008

Memorial Celebration

Tuesday, July 1, 2008 from 7-9pm at the Assembly Room at Incarnate Word Retirement Facilities at 4707 Broadway next to HEB Central market. Trey Cunningham will be doing a video about Dan and it is possible we will have some live performance.  For sure, we will also have time for informal reminiscences.

click here for the full invitation and map (pdf)

Jon Kaplan

 

A landmark member of our theatre community...and the world, has passed away

How remarkable that a lad born in the Bronx on March 28th 1920 should one day become one of the world’s most respected scholars and researchers of the life and writings of the famous playwright GB Shaw. Dan Laurence certainly came to his love of theatre naturally enough. Both of his parents were theatre professionals, even at one time including him in their vaudeville act when he was 12. He was a child actor for a number of years and then became stage manager for “Brighton Beach.’’ He later worked with well known stage performers such as Ethel Barrymore, Francis Lederer and Jane Cowl. He was the star of  “Captain Brass Band’s Conversation”, which gave Dan his first role in a play written by George Bernard Shaw. Others he worked with were Florence Reed, Estelle Winwood, Buster Keaton, Canada Lee.

The next phase of his life, which lasted 41 months, was in the USAAF; 36 of those months took him out of the US, serving as a writer and performer for Armed Services Radio. His first assignment was in Australia were he met and fell in love with Fran. For several years thereafter he was assigned to a number of bases in the Pacific Islands and continued to serve as a writer and performer for the Armed Services Radio. He was shipped back to the US when the war ended, preventing him from returning to marry his sweetheart. His father promised him money to return to Australia if he would first finish the one semester he needed to graduate with a degree in English from Hoffstra University. With that accomplished, he returned to wed his love. She continued to live with her parents while they both worked to save money, so that they could set up a place of their own. The premature birth of their child occurred and both mother and child died before he could reach them.

Then NYU became his focus, as he worked on his Master’s degree serving as a graduate assistant, and later an associate professor of English. Other universities he taught included Indiana University, U of Texas, Penn State, Andrew Mellon, Dartmouth, and Tulane, and in Canada, Guelph and UBC. His passion for the writings of Shaw, through many years of study, became so well known that he was appointed literary and dramatic advisor for the estate of G B Shaw, a position he held from 1973-1990. His association with the Shaw Festival Ontario began in 1982 as literary advisor and member of the acting ensemble. He served as associate director from 1987-2000. He was elected president of the International Shaw Society in 2004, which held a special tribute to him that same year.

Throughout his academic life he wrote prodigiously, and the works were of true merit. Most acclaimed are his bibliographies of the works of Shaw, and Henry James, four volumes of “Collected Letters of Bernard Shaw”, 7 volumes of “Bernard Shaw’s Collected Plays with their Prefaces”.

Admiration for Maureen Halligan and Ronnie Ibbs, who headed the drama department at Incarnate Word College, drew him to San Antonio. He was a co-founder of OffStage, Inc. and appeared in productions with them and other theatres. His final performance was a play he wrote “G B S in Love”.

He died this morning Feb. 5th, at The Village at Incarnate Word Retirement Center .

The family would like any donations in Dan's memory to go to the Humane Society SPCA at 4804 Fredericksburg Rd. 78229 or San Antonio Public Library at 600 Soledad 78205 or the charity of the giver's choice. 

A memorial will be planned for a later time.

New York Times Article

Memories:

if you would like to share your memories here, please email Playbill@satheatre.com

It is with great sadness and profound respect for Dan Laurence that I remember him today. He was truly a gentleman of theatre filled with a passionate vitality for scholarship in literature and theatre. I worked with him on two occasions, namely in ReJoyce, a production of his creation with Maureen Halligan celebrating the genius and craftsmanship of James Joyce and when he was kind enough to lecture on George Bernard Shaw after our performance of Dear Liar at St. Mary’s University. This was a production in which Ian McCord and I acted in Jerome Kilty’s play of the relationship between George Bernard Shaw and Mrs. Patrick Campbell. As Literary Editor of the Shaw Estate, Dan graciously fielded questions from the audience and contributed much to the academic dialogue of that evening.

One could obviously note the realm of Dan’s intellect and yet he possessed an endearing sense of humility. As I was the stage manager, he always asked me to critique his stage performance. “Am I too loud, Bodie?”. He knew well enough his exuberance could be overpowering. I always assured him that he was just fine. The audience would welcome such personal care and commitment to his performance. One night’s performance of ReJoyce brought him to the aid of his fellow actor, she had a bit of "dizzy spell" onstage and Dan immediately rescued her by guiding he gently back into the performance. These two had tremendous love and respect for each other as artists and friends.

The San Antonio community has lost an astounding figure…one whose pursuit of poetic knowledge will always remain with those he touched. May God rest and embrace Dan with His everlasting peace.

Assoc. Prof. Bernadette Hamilton-Brady

I wonder if San Antonio knows how lucky and blessed we were to have Dan Laurence with us to share his intellect and talent for so many years.

I think UT would have given up at least one of their horns to have had him at the Ransom Center as a resident scholar.

But he loved San Antonio.

Dan never had an earned PhD and turned down all offers for honorary degrees. For him it was philosophical; he did not think it was right to accept a degree you did not earn.

Indeed. Dan was more humble than the late Chaucer scholar George Lyman Kitteridge who also never earned a doctorate. When asked why he never went for the doctorate his answer was to the point: “And who would ask me questions?”

Dan’s last words to the late Ronnie Ibbs were “It has been a good run, Ronnie.”

Ditto, Dan. Ditto.

Dick McCracken

It was a life well spent in the service of Thespis!

I would like to add to Dick’s eulogy by describing Dan’s interest on entertaining (rather educating!) his fellow residents at the Incarnate Word Retirement Center.

I believe he had initiated some kind of a literary club, because he would come to the library to retrieve specific poems to recite or share with members in his Retirement Literary Circle. It was an honor to get to know Dan as a literary researcher. Mendell Morgan and I held him in high esteem and assisted with his research questions. Even though weak, he would make a serious effort to walk the distance from the Retirement Center to the Library to do research. I remember how lucid his mind was: He would very readily recall titles of poems and first lines. He knew exactly what he was looking for, even where the poems were published! A brilliant and committed researcher to the very end!

Basil A. Aivaliotis

I had the honor of meeting Mr. Laurence. He had a wonderful sense of humor. I loved hearing him read, he had a wonderful voice. He is certainly with our Lord now, entertaining the angels with his laughter and joie de vive.

Sidney Ann Spencer

 
Dan Laurence loved the theater. He loved the plays and players. He loved to act. He was eager to mentor young artists and reminisce with older ones.

His performance as a conservative judge in my production of THE TRIAL OF THE CATONSVILLE NINE contributed substantially to the success of the production and was the beginning of our long friendship.

When I directed HEARTBREAK HOUSE he gave me a reading list and photocopies of Shaw’s postcards to the original cast. When he called my staging of act three “sensitive” I felt I had arrived.

Through Dan’s influence I was allowed to be an assistant director at the Shaw Festival although the artistic director was very reluctant to give an American an opportunity in a festival subsidized by the Canadian government.

Throughout the ups and downs of my career, Dan was always available with a helpful suggestion, an encouraging word, or a perceptive criticism. I am only one of the many
artists who have benefited from Dan’s generosity.

Dan’s mind was a theatrical encyclopedia. His meticulous scholarship graces Shaw’s collected plays, collected letters, and collected music criticism. As the Literary Editor of the Shaw Estate, he was fiercely protective of the texts. Like Shaw, Dan believed the theater could change the world. He spent his life dedicated to that noble proposition.

Charles Conwell
Professor of Theater
University of the Arts
Philadelphia

 Memories are strong and thanks to Dan and Judy Jay of OffStage for opportunities in the theatre

Joyce Lambrecht

I worked with Dan on the Extended Run production of GBS In Love... one summer, for Practicum. I still have a copy of the script...which I tried to retype (It had some typos) but Mr. Laurence would not let me...he was fun to work with ... despite his habitual grumpiness. It was an honor to know him.

Amy

 

 


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